“Gardening for Beginners: Hints and Tips for Melbourne Australia” by Sarah Jackson
So you want to start a garden? No idea where to start? Then this may be the guide for you. “Gardening for Beginners” is a handy reference book with basic hints and tips for the new gardener. It contains no fancy terms, no superior expertise, just honest advice from someone just like you. There are sections on what tools to buy, growing vegetables, fruit, herbs and flowers, dealing with pests, and working out which fertilisers are best for you.
Okay, folks. I’m about to publish a new short story and I need some help selecting a cover for the e-book.
The story is called “In the Dark” and is a horror/suspense short about a forty-something man,confronted at his door late at night, by an old friend who is in a state of distress. He must uncover the cause of his friend’s concerns about that he has seen in the dark, placate him, and send him on his way. The story is intended to appeal to those who love suspense, thriller and horror.
This is a rehash of a post from last year. I’m in the market for an agent and/or a publishing contract with a traditional publisher. Again, I’m being asked (and asking myself) “Why go traditional when you’ve had some success (albeit limited) with self publishing?” I have a number of reasons for wanting to take the traditional path. The most significant reason for me is that it is an indicator of success and acceptance by the wider literary community. Yes, yes, I know that this is strictly a personal belief and my not having traditional publisher representation doesn’t mean that I’m not an author. It’s a personal goal.
My other reasons for wanting a traditional publisher (and these are probably more important than the personal achievement component) are access to an established distribution network and marketing expertise. (Yes I know that I’m still going to have to do the bulk of the marketing myself – its the distribution network I really want).
For me, the pros and cons of Self-Publishing and Traditional Publishing are as follows:
You have a 100% chance of being published (and that’s a very nice thing)
You can choose to publish only e-books, or print books or both
You can publish short stories, serials, novellas, novels – whatever takes your fancy
You’re in control of the entire process
You determine your timetable
You received a significantly larger proportion of the royalties than if you went through a traditional publisher (Anything from 30-70% compared to 5-10%)
You will learn a lot about the entire publishing process: from writing, to business set up, to printing, to marketing, to sales. This is an invaluable set of experiences (trust me)
You cover 100% of the cost
You take 100% of the risk
You’ll need to buy/pay for an honest opinion on the potential marketability of your book
You need to edit your manuscript very carefully and not rely on your Beta readers to do the work of a professional editor
You’re on your own in terms of marketing and distribution
It’s very difficult to get book sellers to stock your book/host book launches/host other promotional activities.
It’s very difficult to get people/professional organisations/journals/ and/or other publications of merit to review your book.
You’re in this together.
You’ll not have to make a financial contribution to the process (if you do then you’re not in a traditional publishing contract – beware)
With any luck you will receive an advance (depends on the size of the publisher, type of book and your experience)
You’ll receive advice on selecting the best possible cover for your book
You’ll receive a professional opinion on the saleability and appeal of your writing
You’ll receive advice/services from a professional editor (again you will need to do work here – humans make mistakes no matter how good they are).
You’ll have access to people with experience marketing books, press releases, and working with areas of the media
You’ll have access to an established distribution network
You have a statistically low chance of obtaining a publisher (or even a literary agent) and therefore a low chance of actually being published
A traditional publisher is no guarantee of sales and/or success
You’re in a contract and will be expected to understand and comply with that contract
You need to give up some artistic freedoms to produce a product that fits with the publisher (Suck it up – they’re doing this to try and sell your book)
You need to fit in with their time frames and demands
You received a significantly smaller proportion of the royalties than if you were self published (about 5% but it varies)
Don’t expect an easy ride. You’ll still need to work hard to promote your own book!
Good luck! Strive to do what’s best for you and your writing project.